Jonas Williamsson

Sweden & Istanbul (2025). 30,0 × 30,0 cm, 180 pages. Edited by Mike Bode and Johanna Strömquist, assisted by Lovisa Jakobsson, Seray Demir, Ada Hakyemez, Julia Sjöstrand and Jenny Nordman. Text by Olof Heilo, assisted by Helena Bodin, Catharina Raudvere, Fredrik Thomasson and Karin Ådahl. Prepress by Peo Olsson. Translations by Berkan Basören and Karen Swartz. Typeface: Ivory, Lineto. Cover material: Van Heek Natuurlinnen 1010. Slipcase: Invercote G 300 g/m². Paper: Materica Terra Gialla 180 g/m² (endpapers), Munken Lynx Rough 170 g/m². Printed by Narayana Press. Published by the Consulate General of Sweden in Istanbul in collaboration with the Swedish Research Institute in Istanbul.

Rikard Heberling and Jonas Williamsson: Tratex—A Road Sign Alphabet in the Making (2025). 21,0 × 29,7 cm, 112 pages. Written, edited and designed by Rikard Heberling and Jonas Williamsson. Co-edited by Ivan Sterzinger and Cornel Windlin. Paper: Munken Polar Rough 170 g/m² (cover), 90 g/m² och 80 g/m² (insert). Printed by Narayana Press. Published by Lineto.

Johannes Norlander: 100 Files (2026). 16,5 × 24,2 cm, 80 pages. Texts by Johannes Norlander. Typeface: Brown (Lineto). Paper: Materica Kraft 120 g/m² (dust cover), Nautlius Classic 300 g/m² (cover), Galerie Art Matt 130 g/m², Galerie Art Gloss 80 g/m² (leaf). Printed by Joon. Published by Brutem.

Johannes Norlander: HÅVN (2023). 16,5 × 24,2 cm, 80 pages. Texts by Johannes Norlander, Marc Dubois and Carlo Menon. Typeface: Brown (Lineto). Paper: Materica Clay 120 g/m² (dust cover), Nautlius Classic 300 g/m² (cover), Galerie Art Matt 130 g/m². Printed by Printon. Published by Brutem.

Kim Hiorthøy: Slutten (2026). 12,4 × 20,0 cm, 240 pages. Written by Kim Hiorthøy. Edited by Øyvind Ellenes. Typeset by Mona Persdatter Bekkevad (inlay). Typefaces: Gustavus, Berling Nova. Cover material: Munken Lynx 150 g/m². Paper: Munken Lynx 150 g/m² (dust cover), Munken Premium Cream 115 g/m² (endpapers), Holmen Book Cream 2,0 g/m². Published by Oktober forlag, Oslo.

Peo Olsson: Forty Viewpoints in Seven Instances on the Reconstruction of Two Environments by Björn Lövin (2024). 21,0 × 27,0 cm, 368 pages. Editorial Concept by Peo Olsson and Jonas Williamsson. Texts by Björn Larsson, Lila Lee-Morrison, Björn Lövin, Lívia Nolasco-Rózsás, Peo Olsson, Marianna Feher. Translation by Emily Berry Mennerdahl and Jan Teeland. Proofreading by Bettina Schultz and Mattias Winslow. Typeface: Bodoni. Paper: Umka Color 300 g/m² (cover and sleeve), Galerie Art Matt 70 g/m² (leaf), Holmen Book Cream 70 g/m². Printed by Printon. Published by Null & Void Books. Awarded Svensk Bokkonst 2025.

Saskia Holmkvist: Margaret (Back Translation) (2025). 17,0 x 24,0 cm, 128 pages. Editor: Corina Oprea. Text Editor: David Price. Copy Editor: Diana K. Vonna-Michell. Photo Editing: Kornskarpt (Svante Larsson and August Eriksson). Texts by Alice Butler, Temi Odumosu, Suzanna Chan, Jan Verwoert, Sara Eliassen and Manuel Pelmuş. Cover material: Woodstock Verde 140 g/m², Wibalin Natural White 120 g/m², Munken Polar Rough 120 g/m². Paper: Woodstock Verde 80 g/m², Symbol Tatami White 115 g/m², Munken Polar Rough 90 g/m², Speed Gloss 80 g/m². Printed by Narayana Press. Published by Mount Analogue and Slimvolume.

Märta Thisner: Mussels (2024). 17,0 × 23,0 cm, 320 pages. Edited by Märta Thisner, Åsa Jungnelius and Jonas Williamsson. Text: Tone Schunnesson and Jonas Williamsson (Preface). Translation by Saskia Vogel. Proofreading by Bettina Schultz and Astrid Trotzig. Prepress by Peo Olsson. Paper: Invercote G 240 g/m² (cover), Munken Print White 1,5 70 g/m², Arena Bulk Natural 120 g/m². Printed by Narayana Press. Published by Null & Void Books. Awarded Svensk Bokkonst 2025.

Andros Zins-Browne: Two Heads (2025). Part of Island Dialogues by Public Art Agency Sweden and MDT Moderna Dansteatern, Stockholm. 12,5 × 17,6 cm, 64 pages. Text: Andros Zins-Browne. Translator: Astrid Trotzig. Production: Public Art Agency Sweden with MDT Moderna Dansteatern. Editor: Annika Enqvist. Proofreading: Kim Schnaubert, Carina del Valle Schorske, Ella Saar and Eva Malm Öhrström. Project team: Anna Efraimsson, Annika Enqvist, Unn Faleide, Edi Muka. Typefaces: Cheltenham, Stempel Garamond. Paper: Munken Lynx 170 g/m² (cover), Munken Lynx Rough 90 g/m². Printed by Narayana Press. Published by Statens konstråd.

Diana K. Vonna-Michell: The Making of Ways of Being and Artist. The Ethopoeetics of J.O. Mallander’s Conceptual Art (2004). 17,0 × 24,0 cm, 320 pages. Typefaces: Supreme, Baskerville. Various papers. Printed by Printon. Published by Acta Universitatis Upsaliensis/Figura Nova.

Lustholmen (2025). 21,0 × 29,7 cm, 24 pages. Project team: Anna Efraimsson, Unn Faleide, Cecília Tümler de Carvalho. Typeface: Modern. Paper: Olin Design Regular Nordic White 90 g/m². Printed by Printon. Published by MDT Moderna Dansteatern.

MDT Moderna Dansteatern (2023). Overall graphic appearance, including the drawing of a bespoke typeface in collaboration with Emil Gunnarsson. Various ephemera.

Jonas Williamsson: A-HA (2021). 14,5 × 21,0 cm, 16 pages. Published by Foot Books.

BIFF (1999/2022). Typeface in three wheights drawn in collaboration with Anatole Couteau/Lineto, 2022. Published by Lineto.

Forskning i Centrum (2014). 17,0 × 24,0 cm, 320 pages. Edited by Monica Sand. Text editor: Malin Zimm. Various typefaces and papers. Printed by Vitt. Published by Arkdes.

Reala A5 Card (2006). 21,0 × 14,8 cm. Typefaces: Mausel by Olle Eksell, Valentine by Stephan Müller, Lineto. Paper: Galerie Pack 245 g/m².

Björn Lövin—The Surrounding Reality (2022). 24,0 × 32,0 cm, 264 pages. Moderna Museet exhibition catalogue no. 416. Edited by Matilda Olof-Ors and Peo Olsson. Managing editor: Teresa Hahr. Concept: Matilda Olof-Ors, Peo Olsson, Jonas Williamsson. Texts by Matilda Olof-Ors, Maria Lind, Rasmus Fleischer and Helena Mattsson. Typeface: Times New Roman. Paper: Invercote G 240 g/m² (cover), Circle Offset Premium White 100 g/m², Circle Silk Premium White 130 g/m². Printed by Narayana Press. Published by Moderna Museet, Null & Void Books and Verlag der Buchhandlung Walther und Franz König.

A Dialogue (2022). 29,7 × 42,0 cm, 4 pp. Text by Kajsa Wadhia and Tove Salmgren. Typeface: Bell Gothic. Paper: Nautilus Super White 100 g/m², Fasson Vellum (sticker). Printed by Printon Trükikoda and Norrbacka Tryckeri Eftr. (sticker). Published by Köttinspektionen Dans.

Jonas Williamsson: The MDT Poster (2021). 11,6 × 17,6 cm, 832 pages. Typeface: Helvetica. Paper: Invercote G 300 g/m² (cover), Holmen Book White 60 g/m². Printed by Printon Trükikoda. Published by Grafisk Fyrkant. Awarded Svensk bokkonst.

Göteborgs Konsthall: En hundraårig konsthistoria (2021). 21,0 × 29,7 cm, 832 pages. Edited by Andréas Hagström. Texts by Stina Edblom, Martin Gustavsson, Maria Görts, Lisa Rosendahl, Liv Stoltz, Kajsa Widegren, Louise Wolthers and Andréas Hagström. Typeface: Medium (Lineto). Cover material: Van Heek Naturlinnen 2041, Munken Lynx Rough 150 g/m². Paper: Munken Lynx 100/120/150 g/m², Galerie Art Gloss 130 g/m², Nautilus Classic 100 g/m², Arctic Matt 150 g/m² (endpapers). Printed by Narayana Press. Published by Null & Void Books. Awarded Svensk bokkonst.

Floran—Mammas hus i Lainio (2021). 11,5 × 19,0 cm, 480 pages. Contributors: Johanna Gustafsson Fürst, Ingvild Holm, Hans Isaksson, Åsa Jungnelius, Esko Männikkö, Oscar Männikkö, Gustaf Nordenskiöld, Lisa Torell, Markus Vallien, Jonas Williamsson. Also contributing: Anders Alm, Silje Figenschou Thoresen, Olof Marsja, Mona Mörtlund, Daryoush Tahmasebi, Anita Ylipää, Lena Ylipää. Artistic Leaders: Hans Isaksson, Åsa Jungnelius, Lisa Torell. Editorial Board: Hans Isaksson, Lisa Torell, Jonas Williamsson. Text: Lars-­Erik Hjertström Lappalainen, David Väyrynen. Typeface: Univers. Cover material: Invercote G linen embossed 240 g/m², Bamberger Kaliko Iris 0101/846. Paper: Munken Polar 90 g/m². Printed by Narayana Press. Published by Residence in Nature, Norrbottens Museum and Konstfrämjandet—People’s Movements for Art Promotion.

kkh.se (2020). Working group: Sara Arrhenius, Vice-Chancellor; Erik Betshammar, Web Developer; Joakim Carlson, Head of Communications; Fredrik Ehlin, Interim Vice-Chancellor; Mattias Givell, Project Manager; Rikard Heberling, Graphic Designer; Oliver Krug; Johanna Lundeberg, Language Consultant; Jonas Williamsson, Graphic Designer. Typeface: Times New Roman. Published by Kungl. Konsthögskolan.

Between Letters Patent and Brand Manual. Guidelines for Graphic Design and Communications (2020). 16,5 × 24,2 cm (G5S), 64 pages. Text and graphic design: Rikard Heberling, Jonas Williamsson. Editorial board: Sara Arrhenius, Joakim Carlson, Fredrik Ehlin, Mattias Givell, Oliver Krug. Typeface: Times New Roman. Paper: Munken Lynx 80 g/m². Printed by Narayana Press. Published by Kungl. Konsthögskolan.

Johanna Gustafsson Fürst: Stridsskrift (2020). Part of the exhibition Ympa orden, piska min tunga by Johanna Gustafsson Fürst at Accelerator, Stockholm. Curated by Therese Kellner. 11,0 × 19,5 cm, 68 pages. Edited by Sara Abdollahi. Text by Ida Börjel, Negar Naseh, Lars Raattamaa, Loretto Villalobos and Balsam Karam. Typeface: Berling Antikva. Paper: Circle Offset Premium White 200 g/m² (cover and dust cover), Circle Offset Premium White 90 g/m². Printed by Narayana Press. Published by Accelerator.

Erik Betshammar: However, despite the haze you can still get a concrete feeling for the surroundings (2019). 16,5 × 22,0 cm, 200 pages. Loose insert. Text by Erik Betshammar and Kirsti Taylor Bye. Typefaces: Unica77 (Lineto), Churchward Maori. Paper: Colorit F90 120 g/m² (cover), Munken Lynx 100 g/m², Munken Print White 1.5 90 g/m², Galerie Art Gloss 90 g/m² (inserts). Printed by Narayana Press. Published by Null & Void Books. Awarded Svensk bokkonst.

File Under: The Work / Björn Lövin (2019). 21.5 × 29,7 cm, 416 pages. Edited by Peo Olsson, Katarina Sjögren and Jonas Williamsson. Texts by Lisa Rosendahl, Emily Segal and Katarina Sjögren. Typeface: Univers Next. Cover material: Van Heek Premium Black, Sticotac Cast Gloss 80 g/m². Paper: Cyclus Offset 1.2 100 g/m², Galerie Art Gloss 115 g/m², Galerie Art Volume 135 g/m², Colorit Iron Grey 120 g/m² (endpapers). Printed by Tallinna Raamatutrükikoda. Published by Null & Void Books.

asajungnelius.se (2019). Programming: Erik Betshammar. Typeface: Latin Modern Mono.

Kim Hiorthøy and Lisa Östberg: How & Why (2018). 17,0 × 24,0 cm, 32 pages. Text: Emilia Mellberg. Typeface: Times Small Text, Helvetica. Paper: RePrint Matt 70 g/m². Printed by Narayana Press.

008001-660 (2017). 13,1 × 17,5 cm, 536 pages. Loose insert. Typeface: Arket Sans. Cover material: Brown board 300 g/m², Munken Print White 1.5 150 g/m². Paper: Munken Print White 2.0 90 g/m², Terraprint gloss 70 g/m² (insert). Printed by Narayana Press. Published by Arket. Awarded Årets Bedste Bogarbejde.

Environments and Counter Environments; ’Italy: The New Domestic Landscape’, MoMA 1972 (2011). Booklet for exhibition 1.4–5.6 2011 at Arkdes, Stockholm. 21,0 × 29,7 cm, 24 pages. Loose insert. Curated by Magnus Ericson. Text by Magnus Ericson, Peter Lang, Luca Molinari, Mark Wasiuta and Emilio Ambasz. Typeface: Recta [Aldo Novarese; Laurenz Brunner]. Paper: Cyclus Offset 140 g/m² (cover), GBE 60 g/m², Rapido Silk 70 g/m² (insert). Printed by Linderoths tryckeri, Ektab, Wassberg Skotte. Published by Arkdes (Arkitekturmuseet).